Wednesday, December 29, 2010

Dominatrix Mainsteram Movies

Minutes: Walking 2010 (1 ª Part)

Mixing

uninhibited songs appeared this year, discoveries vintage (which for a year that belong to discover, right?) or issues that have not meant anything to me until recently, despite knowing nothing, Hiking (railways, bicycles, feet, steps in a circle dining room, heck, steps in circles in my dreams) is a list of three parts desverlaré end of the year, in no particular order, which includes musical moments have been small obsessions over the past twelve months. Traces that define what has been my year, definitely.


Beach House - 'Walk in the Park'
( Teen Dream, 2010)


Have you ever had the feeling gradually forget you details of something to base to go to his memory too often? It is paradoxical. It's like thinking you're coloring on a sheet without realizing that what you rub on paper is a rubber band, until it becomes a hole. One finds comfort in spending time with gay ghosts who are no longer trying to avoid solid colors go back translucent abuse is insidious. The Suffering beauty of this monument (one of ten Dream Teen ) eerily captures the comfort and double edge of devastation.



(direct Madison, May 2000)


Accompanied solo piano, in a languid and free version of a song not published until 2005, only Chesnutt can intrude between arteries and veins party in tiny grains of sand and freeze. Equal parts statement of affection through the everyday details and description of a warning reassuring "You can be honest with me" . Kristin Hersh display modest and ironic attack when one of his songs after that is not for nothing.


( Exile In Guyville Reissue, 2008)


Originally a discarding of Exile in Guyville , "Ant in Alaska" explains in a tragicomic and biting sense of betrayal and abandonment of one to the left in a hidden place, promising the re-search, ensuring that everything will be better than it was when that happens. This rescue, however, never occurs and begins to realize that everyone out there is following with her life and she has been aware of an illusion, a deception coward, wasting time.


( Daytrotter Session, 2010)


The Brooklyn trio Aladdin rubbed with cotton and losing distortion chips made from shrapnel that characterized his albums so far. It is rumored that this clearly is indicative of what awaits us next year. 'Death' (originally a B-Side of 'Moped Girls') flirts with the whiteness sinister letters composed Phil Spector, where everything is more lamentable than it seems: "I want to live / I want to die, not now, in ten years / I live to be your girlfriend / I, I, I want to live ".


( Get Lost, 1995)


I have read reviews Get Lost, both the media and fan of The Magnetic Fields, and no one stands' Love Is Lighter Than Air ', which, being one of three moves me most to me, that makes me selfish pride, to see something where you do not see anyone. Major chords that emerge from this guitar with strings strained copper and pace would put us in a place Stephen Merrit summer but did not say "Summer, summer, summer" . Advantage the time, no hesitation, no delay, no fear because "Summer becomes fall, you better your lover and you you go to the beach / love is lighter than air / will float if you let go / (...) rises through the snow when it falls ".


( Lio , 1980)


My friend Natalia I discovered this song a few months ago when I ordered a banana split for dessert at a bar , and I can never be sufficiently grateful for directing my attention to what sounds like a Devo song sung by a girl fellatio. The synthesizers, the freshness with which he recites his gall Lio and make this song a winner. "The cherries are left lipstick marks in Antarctica .



( Guitars No , 1997 )


Mary Timony That puts their texts in fantasy land, between witches and small explosions medieval is something already known. 'Dragon # 2 is a part-time, but endowed with the urgency ascending notes provided by the guitar, is articulated in a way that gives the same intrigue when a grandmother gestures to explain a story. "Red sky, the long road, joined in a song / no place in the world where you can hide from this horrible nana" .


( Songs for Ravens, 2010)


The tenderness with which Julie Ann Bee express the feelings felt in the qualities of the person describe ( "rosy cheeks and pale skin" ) and how you ask this to be left wanting ( "let you enlarge the eyes" ) should not be dismissed for appearing too candid. At the end of the day, however much over the years try to censor and block the way to expose feelings that therefore there is a small part of all that, I believe continues to operate that way. Tribal percussion and a melody at all obvious rise more if it is the fragility of their feelings.


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